Dene & Nick: How did you come to be cast in the series?
Trevor Eve: I was cast in the series by creator Robert
Banks Stewart. I was doing a movie of Dracula at the time so there was some interest in me.
DK/NS: How much of the character of Eddie was fleshed
out beforehand, or was his persona shaped by you (i.e. was he anything like yourself, or very different)?
TE: The Robert Banks Stewart script was extremely well-
fleshed out but obviously the actor brings his personality and idiosyncrasies to the role.
DK/NS: Do you feel Eddie changed over the course of the
series (and was he a particularly enjoyable role to play)?
TE: [He] was a very enjoyable part to play. The character
did develop and it's very difficult to keep the initial agonies he had over being a computer programmer through two series but maybe I would have like more of his eccentricities to develop.
DK/NS: Are there any episodes that you recall
specifically, either for the way they turned out, or because of certain guest artistes/writers/directors who you were working with?
TE: One of the episodes, about the stalker in 'Radio West',
was [in fact] changed by the director Ben Bolt and we created a Hitchcockian ending which people weren't that keen on at the time but turned out to be the most successful episode. ["MOCKING BIRD" from Series 2]
DK/NS: As someone who has enjoyed great success in
many different fields, what was the 'creative process' like on such a genre series, was the end result satisfying for an actor?
TE: The creative process on a series like Shoestring is
very difficult to monitor in terms of keeping up standards as we were shooting 10/11 storylines in a matter of months, therefore the demands on the scriptwriter were enormous. But when they were successful, it was very satisfying.
DK/NS: How do you feel the show stands up?
TE: I haven't seen any episodes recently but the quality of
directors such as Ben Bolt, Marek Kanievska and Martin Campbell, all of whom went on to make feature films, certainly gave it a look that I'm sure is still appealing.
DK/NS: Do you think that a revival of the series is feasible
today, and would you welcome playing Eddie Shoestring again if an offer arose?
TE: I think it would be fascinating to revive Eddie
Shoestring, especially with the boom of the internet, which I'm sure he would have got deeply involved in. |
TREVOR EVE
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TREVOR EVE with regulars
MICHAEL MEDWIN, DORAN GODWIN &
LIZ CROWTHER
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Scenes from the classic
Shoestring episode "MOCKING BIRD" |
1979 TREVOR EVE
RADIO TIMES Interview |
HOME
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HOME
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Our thanks to Mr Eve taking time out of his schedule to
answer our questions, and also for his good wishes towards the site.
Dene Kernohan & Nick Stewart (29 November 2001)
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Recently Trevor Eve very kindly answered a number of questions we put to him
about the Shoestring series, and of course about his memorable portrayal of Eddie himself. |
1998 TREVOR EVE
RADIO TIMES Interview |
1980 SHOESTRING
RADIO TIMES cover |
1979 TREVOR EVE
RADIO TIMES Interview
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1998 TREVOR EVE
RADIO TIMES Interview
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1980 SHOESTRING
RADIO TIMES cover
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In the Radio Times dated 31 August to 6 September 2002, to publicise the
beginning of Series 2 of Waking the Dead, Trevor Eve was featured in the then- regular TV C.V. page. Amongst his various television roles discussed was of course Shoestring, of which Mr Eve had this to say: "I'd just done a film with Olivier and I was hugely reluctant to do Shoestring -- the climate was different then, and for an actor to be in a TV series was taboo. But creator Robert Banks Stewart was an original and had very quirky ideas for that time. In the seventies, cop dramas were right on the nose: you dressed well and had a great car, whereas Shoestring had a crap car and wasn't very well mentally. I'm a huge fan of the programme and I bought the rights. I saw the repeats in January [on BBC1] and I could remember filming every episode. Every now and then I think, as does the BBC, of bringing it back in a two-hour film format, doing a "20 years on" thing. But it's not something I'm working night and day to do".
Added 10th December 2004. With thanks to article author William Gallagher
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